APPEAL from the Circuit Court of Cook County; the Hon. MAURICE
LEE, Judge, presiding.
MR. JUSTICE LEIGHTON DELIVERED THE OPINION OF THE COURT:
The issues in this appeal arise from a prosecution that followed the theatre showing of a motion picture, "The Curse of Her Flesh." Defendant Paul Burkhardt, the theatre manager, was arrested and charged with obscenity. *fn1 He waived trial by jury, was found guilty and sentenced to pay a fine of $1,000. *fn2
The State's evidence consisted of the motion picture, the testimony of a police officer who identified defendant as the theatre manager and a stipulation. The parties agreed that if three vice control policemen of the City of Chicago were called, they would testify that they saw "The Curse of Her Flesh"; that it portrayed matters which appealed to the prurient interest of the average adult; that it had no redeeming social value and that it went beyond contemporary community standards in the portrayal of sexual matters. This was the State's case.
Defendant then moved for a directed finding of not guilty. In the argument that followed, the assistant state's attorney told the court that the "* * * contemporary community standards in Cook County, Illinois are the standards, which must guide us and must guide this Court." Defendant's counsel then asked if the court was applying "local contemporary community standards." The trial judge replied, "That is right." Thereafter, defendant's motion was denied. He then put on his defense.
Defendant offered to show that "The Curse of Her Flesh" was part of a trilogy that began with "The Touch of Her Flesh," a picture that was shown in the City of Chicago with the approval of censorship authorities. The State objected but the trial judge agreed to view "The Touch of Her Flesh." Next, defendant offered to show that the picture in this case, "The Curse of Her Flesh," had been exhibited in 16 states prior to its Chicago showing, all without incident or complaint that it was obscene. The State objected and the court ruled that evidence of these facts was not relevant. Defendant, however, was allowed to make an offer of proof.
Then, defendant put on evidence that consisted of his testimony and that of a woman patron of his theatre. The woman, a saleslady in a store on North Michigan Avenue in Chicago, testified that in the company of two male friends she saw the motion picture in question but it impressed her as "* * * just a poorly made movie, rather amateurish. I have seen worse. There is certainly much worse on the board right now." The woman said that the picture did not appeal to her prurient interest nor arouse her sexual desires. Following the woman, defendant testified that although he managed the theatre, he did not book "The Curse of Her Flesh," nor did he see it.
With this testimony, both sides rested. Defendant's counsel then argued that even if the trial court was being guided by local contemporary standards, the State had not introduced any evidence as to what those standards were. Counsel argued that "The Curse of Her Flesh" had been shown in 16 states without any suggestion that it was obscene. Therefore, it was proper for defendant to have relied on this fact in determining whether he could, without violating the criminal obscenity statute, exhibit the motion picture. After hearing the assistant state's attorney in reply, the trial judge reviewed the details of the motion picture, summarized the evidence and found that defendant knew the nature of the picture. The trial judge concluded that "[t]he dominant theme [of the picture] is designed, in this court's opinion, to appeal to the prurient interests of the standards of this community, the standards contemporary of this community"; that the motion picture was not hard-core pornography but "* * * a conglomeration of sexual activities that do not meet, in my judgment, the contemporary standards of this community, and would appeal and does appeal to the prurient or lustful interests of the average person * * *." The trial court ruled that the picture was obscene and found defendant guilty.
A short time later, defendant filed a motion for a new trial. In its support, his lawyer reiterated the argument that had been made in support of the motions for acquittal. The motion was denied and the fine was imposed. In this appeal, defendant presents three issues. I. Whether Ill. Rev. Stat. 1969, ch. 38, par. 11-20, the Illinois criminal obscenity statute, is constitutional under the first and fourteenth amendments to the United States Constitution. II. Whether the evidence proved that "The Curse of Her Flesh" was obscene within the meaning of the Illinois criminal obscenity statute. III. Whether the evidence proved defendant guilty beyond a reasonable doubt.
• 1 On the first issue, defendant contends that Illinois' criminal obscenity statute (Ill. Rev. Stat. 1969, ch. 38, par. 11-20), is constitutional because its definition of obscenity is too vague and indefinite to meet the due process requirements of the federal constitution. We are constrained to hold otherwise. This contention was rejected in People v. Sikora, 32 Ill.2d 260, 204 N.E.2d 768. In decisions following Sikora, our Supreme Court has construed this state's obscenity statute as containing the requirements of constitutionality declared in A Book Named "John Cleland's Memoirs of a Woman of Pleasure" v. Attorney General (1966), 383 U.S. 413, 16 L.Ed.2d 1, 86 S.Ct. 975. A discussion of these requirements can be found in City of Blue Island v. DeVilbiss, 41 Ill.2d 135, 242 N.E.2d 761 and City of Chicago v. Geraci, 46 Ill.2d 576, 264 N.E.2d 153. We conclude that Ill. Rev. Stat. 1969, ch. 38, par. 11-20 is constitutional. Movies, Inc. v. Conlisk (D.C. Ill. 1971), 345 F. Supp. 780.
On the second issue, defendant contends that within the meaning of the obscenity statute, the evidence did not prove that "The Curse of Her Flesh" was obscene. This issue is resolved by application of statutory and constitutional principles that govern the law of obscenity.
• 2, 3 Motion pictures, like the one in this case, are a form of expression whose liberty is safeguarded by the first amendment to the United States Constitution. (Joseph Burstyn, Inc. v. Wilson (1952), 343 U.S. 495, 96 L.Ed. 1098, 72 S.Ct. 777; see Comment, Obscenity in the Movies, 18 Loyola L. Rev. 354 (1971-72).) And in a case of this nature, we must independently determine whether the picture in issue is obscene or one that is entitled to constitutional protection. (City of Chicago v. Universal Publishing & Distributing Corp., 34 Ill.2d 250, 252, 215 N.E.2d 251.) We do this by a careful evaluation of the evidence and the findings of the trial court. If necessary, a reviewing court will view the motion picture.
• 4, 5 In a prosecution for obscenity, the state must establish that "(a) the dominant theme of the material taken as a whole appeals to a prurient interest in sex; (b) the material is patently offensive because it affronts contemporary community standards relating to the description or representation of sexual matters; and (c) the material is utterly without redeeming social value." (Memoirs, 383 U.S. 413, 418; State v. Lavin (1973), (Iowa), 204 N.W.2d 844.) Within this tripartite test, it is the rule in this state that if the material in question is admitted for viewing by the court or jury and defendant offers no evidence relating to contemporary community standards, "* * * the triers of fact `are the exclusive judges of what ...