Before DUFFY, Chief Judge, and FINNEGAN and SCHNACKENBERG, Circuit Judges.
Appellant was tried before a jury and convicted on the charge of violation of Title 18, U.S.C. § 2315.*fn1 The indictment charged appellant Kretske did receive, conceal and store certain goods, wares and merchandise of the value of more than $5,000 which were a part of and constituted interstate commerce, knowing the same to have been stolen. The goods, wares and merchandise were four paintings that had hung for a century or more on the walls of St. Joseph's Old Cathedral, Bardstown, Kentucky.
The evidence established that during the night, November 12-13, 1952, nine paintings were stolen from St. Joseph's Old Cathedral, Bardstown, Kentucky. During the burglary the paintings were cut from their frames. The exhibit numbers in the trial below and the names of the paintings were: Exhibit 1 - The Immaculate Conception; Exhibit 2 - The Descent of the Holy Ghost; Exhibit 3 - The Crowning of the Blessed Virgin Mary; and Exhibit 4 - The Flaying of Saint Bartholomew.
Although defendant alleges numerous errors, he devotes much time and effort to his contention that the government did not prove the paintings had the jurisdictional value of $5,000, and that the trial court admitted prejudicial evidence on the question of value.
Exhibit 1, painted about 1850 by a Bardstown artist, was, admittedly, of little value. But a decided difference of opinion as to the value of Exhibits 2, 3 and 4 was expressed by witnesses for the government and those offered by the defendant. It was shown by tradition and reputation and from records in the Cathedral these three paintings, together with some others not involved in this case, were gifts to the Cathedral in the early 1800s by Louis Philippe, King of the French, and Francis the First, King of the two Sicilies and Naples. For many years prior to the theft of the paintings inscriptions appeared immediately beneath the paintings informing the public that the paintings were gifts from the two kings mentioned. It was admitted that none of the paintings had ever been sold. Credible testimony was received that Exhibit 4, The Flaying of Saint Bartholomew, was the work of the well-known Italian artist, Mattia Preti.
When defendant was endeavoring to sell the four paintings to the F.B.I. under-cover man, Lafitte, who posed as a prospective purchaser of stolen paintings, Kretske placed a value of $100,000 on the four paintings. After considerable negotiation Kretske agreed to a sale for $40,000. At the trial he offered testimony that the paintings were of little or, at least, insignificant value.
We think the government adopted a proper method of establishing the value of these four paintings. It produced an impressive array of art experts who testified as to the artistic merits of the paintings and who gave their opinions as to the price these paintings would bring if they were offered for sale. Of course, different paintings by a single artist may vary in artistic excellence although creations by the Old Masters or other well-known artists whose work is consistently and usually of high merit, would ordinarily have a higher sale price than a similar painting executed by an unknown artist. Therefore, the government quite properly so-licited the opinions of highly qualified art experts.
The following witnesses testified for the government as to the value of the paintings: Kenneth Donahue, who had been associated with the Frick Art Collection in New York and the Museum of Modern Art in New York. He was there a lecturer and research assistant in the history of art, especially in 17th Century paintings. At the time of the trial, he was curator of the famous Ringling Museum at Sarasota, Florida, and by chance, had been familiar with the paintings, Exhibits, 1, 2, 3 and 4, since childhood. Irving S. Tarrant, an art appraiser, is a special curator at the Art Institute in Chicago. He has been in the Fine Arts field since 1928. For many years, he was employed by the American Appraisal Company with particular reference to the appraisal of fine arts. He knew of a Preti painting being offered for sale in New York for $6,000.Patrick Thomas Malone is an assistant curator of the Art Institute at Chicago. His special field of interest was 17th and 18th Century Italian paintings. He has studied art abroad and on his most recent trip to Europe examined twenty to thirty paintings by Mattia Preti. Frederick Arnold Sweet is a curator of the Art Institute of Chicago. He was former director of the Art Museum in Portland, Oregon, and Curator of Renaissance Art at the Brooklyn Museum in New York. He made eight trips abroad in his study of art. Each of these experts testified that the paintings in question were of a value in excess of $5,000. On this appeal we must consider the evidence most favorable to the government. Clearly the jury was entitled to find that the value of the four paintings together was in excess of $5,000. Defendant's claim of error on the question of value of the paintings is entirely without merit.
Defendant asserts prejudicial error because of claimed undue restriction in the cross-examination of government witnesses, Jean Lafitte, Gene M. Norris and Francis J. Stefenak. We find similar objections on most of the appeals to this Court in criminal cases irrespective of the district judge who presided at the trial. It may, therefore, be appropriate to briefly state once more the applicable legal principles.
This question was discussed by this Court in United States v. Lawinski, 195 F.2d 1.We pointed out that the precise extent of permitted cross-examination cannot be stated rigidly but that, at page 7: "* * * It is for the presiding judge to exercise a wise discretion in determining whether, considering the examination in chief, it is fit and proper that the questions presented be permitted or excluded.Storm v. United States, 94 U.S. 76, 24 L. Ed. 42. All the decisions agree that the latitude allowed should be great enough to subserve ends of justice; but once fixed by the trial court it can not be deemed erroneous except where it is clear that that discretion has been abused, even though the discretion is necessarily vague in extent. * * *
"'The trial judge is in the best position to determine how far the cross-examination should proceed, and, when convinced that the facts are all presented and fairly before the jury, the examination of a witness, either on direct or cross examination, should cease.'" Other pertinent comment in decisions by this Court appear in United States v. Glasser, et al., 7 Cir., 116 F.2d 690, 702; United States v. Hornstein, 7 Cir., 176 F.2d 217, 220; United States v. Lutwak, 7 Cir., 195 F.2d 748, 755.
For more than 100 years the rule in the Federal Courts has been that the scope of cross-examination of limited to subject matter referred to during the examination in chief and if a person wishes to examine a witness regarding other matters he must do so by making the witness his own. Bell v. United States, 4 Cir., 185 F.2d 302, 310. Defendant's main complaint with reference to limitations of cross-examination pertains to the witness Lafitte. An examination of the record discloses that defendant's counsel was permitted to inquire with great partigularity into his conversations and his transactions with Kretske. The instances where the Court limited the proposed cross-examination were on collateral matters which were beyond the scope of the direct examination and, indeed, in most instances, not relevant to the proceedings. Defendant could have called Lafittee as his own witness or might have requested the Court to call him as the Court's witness but he did neither. We hold there was no prejudicial error because of the restriction in the cross-examination of the witnesses Lafitte, Norris and Stefenak.
Appellant asserts error because of the denial of his motion to vacate the judgment of conviction. Appellant claims that newly discovered evidence would disclose that Lafitte testified falsely and that the ...